Our quick sortie through Oz, for better or for worse, doesn't include much inside time, but I drag my real camera along in case something catches my eye.
Palmer & Co. bar
One spot that stands out is Palmer & Co., a speakeasy-style bar in CBD Sydney. It's attached to a stunning restaurant called Mr. Wong, which I sadly don't have any photos of because I'm too busy being flabbergasted by the food.
Cordial me right in the tincture hole
Anyhow, Palmer & Co. is down a dirty alley, serves amazing drinks, and has a fantastic catacomb-y feel to it. 10/10, would drink here again (psssst, and there's a secret lift into the restaurant if you've got a booking).
My spirit animal is charcuterie
Another semi-random spot in which we find ourselves is the Queen Victoria Building, a city-block-sized indoor mall that feels a little less modern than most, which is quite a good thing.
So many lines
Murphy wanders for shops and I wander for photos.
Stairway to...nowhere?
Flip-flop
Back to the beginning, however, I'd like to point out that these days, most of the times I insist upon bringing my "real camera" are when I know I'll be in spots with too little light for our otherwise impressively good smartphone cameras. With each successive generation of smartphone, though, I find that those instances keep getting chipped away. And now, with the various night modes and other related computational photography tricks out there, I feel like my "real camera" use cases are more and more out on the skinny branches. And as of recently, there are now flash/strobe options that are triggered over bluetooth from a phone. Five years ago, I never would have considered only having my smartphone on me if the photo "counted," but now, I have to think twice about it. I guess it's only a matter of time before I start calling my phone the "real camera" and I only keep the "big camera" for my tilt-shift lenses, long lenses, or other very niche applications...
But I digress. One more installment of Sydney stuff to come and then we'll be on to other stuff.
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